Maiden is building the first generation of AI-assisted post-production services.

AI does the heavy lifting, so professionals can do their best work.

Maiden raises accuracy and quality while taking cost out at every step. AI evaluates every file against the specs that matter; professionals make the final call.

7capabilities on one platform, from QC to delivery
39service lines on one rate card, per minute or per deliverable
3ways in: a Maiden Edge Node on site, the Local app or Maiden cloud
1intelligence layer that every job writes back to

Seven capabilities. One intelligence layer.

Maiden is the orchestration and intelligence layer for AI-assisted content production — from on-set capture through global delivery. Every capability feeds the same intelligence layer, and every touch point makes the whole system smarter.

AI is the helping hand, not the leading hand.

The machine does the repetitive, precise work against the spec, and the professional stays in control.

QC

Compliance faults, program layout, S&P, OCR, forced narratives and textless material, festival strategic fit, FAST ad‑marker, localization and translation, and AI detection with Maiden QC.

RESTORATION

Picture and audio restoration, AI‑assisted or manual.

EDIT

Conversions, the Maiden ACES Gen AI 8K/16‑bit Upscaler, color and auto LUT scene match‑back workflow, commercial break detection and insertion, syndication, tilt & scan, pan & scan, and reframing with motion control.

AUDIO

Layback and simple to complex conforms.

LOCALIZATION

Dubbing, subtitles, closed captions and SDH for every language a destination needs.

DELIVERY

Final packaging and spec conformance: DCP, IMF, broadcast, streaming and FAST.

MARKETING

Story moments, cutdowns, clips, trailers, micro drama episodes, and feature to episodic re‑cuts.

MAIDEN INTELLIGENCE  ·  LEARN

Every job, from every capability, writes to one intelligence layer. It compounds with volume, it cannot be purchased or scraped, and it is the reason the platform gets better for every customer at once.

Technical compliance corpus
Content intelligence corpus
Eligibility & strategic fit corpus

Compliance stopped being a delivery spec and became law.

Obligations now index to audience geography, content type and actor role at the same time. No delivery spec in the industry models more than one of those three.

2 Aug 2026IN FORCE

EU AI Act Article 50 applied and California CAITA became operative — the same day. Two major blocs made “did a machine make this?” a statutory question.

2 Dec 2026GRACE PERIOD ENDS

The Article 50(2) grace period ends. Every generative system already on the EU market must mark its outputs machine-readably.

2 Feb 2027INTEROPERABILITY DEADLINE

Watermark-detection interoperability deadline. Detection stops being a proprietary vendor feature and becomes public infrastructure.

WHAT THE INCUMBENTS CHECK

Today’s QC tools validate the contractual delivery spec — and nothing above it. A master can satisfy a streamer perfectly and breach EU law the moment it streams into Dublin.

WHAT MAIDEN ADJUDICATES

Regulation is commoditizing detection. Maiden resolves the result against the audience — one file carries different obligations in the EU, California, New York and China.

WHAT MAIDEN DECLARES

Dubbing, repair and upscale fall under Article 50(2). Maiden classifies and marks each one as it runs, then writes it to the certificate — one platform making the change and keeping the record of it.

Article 50(2) reaches Maiden too. Enforcement is live, and the marking is built in before launch — not retrofitted after.

Two ways in. One platform.

Built to scale, from independent to enterprise.

FOR FILMMAKERS

Self-serve, sized for one.

Solo filmmakers, and sole-operator editors, colorists and mixers with a capable workstation, start on the Local app. The player is free either way.

  • Maiden Cloud $29.99 / month
  • Maiden Local $49.99 / month
  • Consumption on top
Start with the free player
FOR PARTNERS

Studios, distributors, post and marketing teams.

A Maiden Edge Node on site, the capabilities you need licensed individually or as one bundle, and consumption on top. Each studio holds a catalog, not a title.

  • Enterprise Contact us for pricing
Contact us

Every spec you deliver to, not just DCP.

Maiden checks, conforms and packages against the formats and standards your destinations actually require.

MEZZANINE & MASTER FORMATS

Apple ProResIMF (SMPTE ST 2067)DNxHD / DNxHRJPEG 2000 in MXFDCP

STREAMER & TVOD PLATFORM SPECS

NetflixApple TVAmazon Prime VideoDisney+MaxParamount+

BROADCAST SPECS

DPP AS-11PBSNetwork specsAS-02EBU R128ATSC A/85

FAST & OTT DELIVERY

HLSMPEG-DASHSCTE-35CMAF

HDR & AUDIO

Dolby VisionHDR10 / HDR10+HLGDolby Atmos5.1 / 7.1

CAPTIONS & ACCESSIBILITY

IMSC1 / TTMLSCCSRTDFXPSDHCCAD

The people who did this job by hand are building the platform that does the heavy lifting.

Steve Spear

CO-FOUNDER & CEO

30 years in media operations, post-production and QC. SVP Operations at Visual Data Media Services, growing the business from $8M to $90M and winning Netflix Preferred Vendor of the Year three times.

Owns GTM, fundraising, investor relations

Sean Hart

CO-FOUNDER & CTO

20+ years in media technology, broadcast engineering, VFX and full-stack platform architecture. Founder of Silo FX, an ML and VFX partner to Disney, Netflix, Amazon and Warner Bros. Discovery.

Owns architecture, AI/ML pipeline, platform

BOARD ADVISORS

David McIntyre  Head of AI Strategy & Ops, Xperi
Dominic Koletes  VP Production Technology, Legendary

Start with the player. It's free.

Maiden Media Player plays the file you actually have — EXR and DPX sequences, professional codecs, real container metadata and Blackmagic SDI output, without transcoding anything first. Mac and Windows.

Choose your installer

On a Mac, check Apple menu → About This Mac for your chip or processor. Browser detection cannot identify Mac architecture.

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Choose your installer below.

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Maiden Media Player with the File Information panel open, showing codec, profile, container, resolution, aspect ratio, frame rate, duration, bitrate and audio detail for the loaded clip.
Every field the container actually carries, in one panel. ⌘I

Four things, done properly.

Built for editors, VFX artists, colorists and post teams who need more control than a general-purpose player gives them — and less overhead than opening a full editing application.

Inspect

Every field the container actually carries: resolution, frame rate, bit depth, chroma, primaries, transfer, matrix, range, bitrate, GOP structure and audio.

Review

Shuttle, step, loop a range, and drop markers on exact source timecode without stopping playback.

Edit

Set in and out, then trim, delete, copy or export just that range. Join clips into one movie, losslessly where the formats match.

Output

Still frames as PNG, JPEG or TIFF, and frame-accurate playback to a connected Blackmagic device for SDI review.

What you get in the free download.

All of it. There is no paid tier of the player.

Image sequence playback

Open a folder of numbered EXR, DPX or other frames, pick the frame rate, and play it back natively. No QuickTime wrapper first.

File and codec information

One panel for file, video, audio and advanced container detail. ⌘I

Markers on source timecode

Press M while the clip runs. The marker lands on the source timecode and stays on the timeline as a return point.

Loop playback

Repeat a range continuously for timing, animation and motion checks. ⌘L

In and out editing

Define a precise range, then trim, delete, copy it to the bin, or export only the selected material.

Append and combine

Join clips in a chosen order and save one new movie. Where all sources match, cuts snap to keyframes and nothing is re-encoded.

LUT preview

Load a .cube, toggle it against the ungraded image during playback, and choose whether it also reaches the SDI output.

Aspect ratio masks

1.43, 1.78, 1.85, 2.39, 2.40, 9:16, 4:5 and custom, with action safe, title safe, center crosshair and adjustable opacity.

Audio operations

Extract as WAV, AIFF or original codec. Remove, replace, add a track, or mute individual channels.

Captions and subtitles

Load a caption or subtitle file for review, or extract embedded CEA-608 from the stream.

Blackmagic SDI output

Send frame-accurate playback through a connected Blackmagic device for review rooms and client displays.

Keyboard-first

J K L to shuttle, arrows to step a frame, ⌘← and ⌘→ to jump a second, 0–9 to scrub by tenths.

Check the frame before anyone else does.

Overlay the delivery frame on full-frame media without touching the source. Action safe, title safe, center crosshair, adjustable opacity, and any aspect from 1.43 through 4:5.

Maiden Media Player showing a clip with safe-area overlays active, labelled action safe at 93 percent and title safe at 90 percent.
Action safe and title safe over a 16:9 master, with the source untouched.

What it runs on.

Version 1.5.4. Choose the Mac build for your processor, or the Windows installer.

macOS AVAILABLE NOW
Processor
Apple Silicon / Intel (separate builds)
Version
1.5.4
Download
Apple Silicon: 210.1 MiB · Intel: 217.4 MiB
Windows AVAILABLE NOW
System
Windows 10 and 11
Version
1.5.4
Download
119.2 MiB
Signing
Not digitally signed

What comes next.

The player is the first piece. Everything after it works on the same files, in the same place.

Available now

Maiden Media Player

Frame-accurate playback, inspection, review and output. Free, and it stays free.

Nov 2026 – Feb 2027

Maiden QC and the Maiden Edge Node

Phases 1–2: the Maiden Edge Node and the Maiden platform on AWS. Point it at a master, tell it where the film is going, and get back what is wrong, what we fixed, and a package that conforms to the destination spec.

Q2 2027

First customers live and billing

The Maiden Edge Node goes live with its first customers, and the first compliance certificates are issued.

Q3 2027 · target

Maiden On-Set

Capture-side metadata, verified offload and indexing, and provenance that travels with the footage from the first day of photography.

Q4 2027

Independents launch

The Cloud and Local tiers open up, with Film Festivals and Film Schools first.

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